Güncel Sanatta Tekstil Heykellerin Temsil Niteliği
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Dosyalar
Tarih
2020
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Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
1960’lı yıllarla birlikte değişen sosyo-ekonomik ve kültürel ortam, sanata ilişkin tüm kavram veuygulamaları yeni temsil arayışları çerçevesinde değiştirmiştir. Genel olarak, geleneksel sanatlar vezanaat başlığı altında temsil edilen tekstil sanatı, geleneksel işlevinden farklı olarak malzeme vetekniğin yeni aktarım olanaklarına yönelmiştir. Bu araştırmada tekstilin 60 sonrası temsil niteliğindekidönüşümleri ve 1980 sonrası tekstil heykellerin temsil nitelikleri tartışılmıştır. 1960’lı yıllar tekstilinyapısal özelliklerinin yeniden keşfedildiği ve kavramsallaştığı yıllardır. 1980’li yıllar ise tekstil sanatınınkendi varoluş sınırını aşması ile ayağa kalktığı, tekstilin heykel olarak güncel sanata eklendiği, onunmalzeme ve teknik boyutunu aşarak, güncel sanatın kimi ilgi alanlarına yöneldiği yıllardır. Bubakımdan bu araştırmada, güncel sanatta tekstil heykellerin temsil anlayışı; zaman-mekan-sınırlar,beden-kimlik, coğrafya, ekolojik dengeler, demokrasi, cinsiyet, öteki, gelenek ve çağdaşlık gibi güncelyaşamın kimi konularına sosyo-politik ve eleştirel yaklaşımları da içeren örnekler üzerindenincelenmiştir.
Together with 1960’s, changing socio-economic and cultural media changed all conceptions and applications regarding art within the representation frame. Textile art, generally represented under the title of traditional art and craft, oriented to new transport facilities of material and technique unlike from its traditional functions. In this research, changes in representative quality of textile after 60, and textile sculptures after 80 have been discussed. 1960’s are the years of re-discovering and reconceptualizing distinctive structural properties of textile. 1980’s are the years of textile art standing-up by passing the boundaries of its existence, by attaching to the contemporary art as sculpture, by orienting to some of its interest areas as going beyond the dimensions of its material and techniques. That’s why in this research representation mentality of textile sculptures in contemporary art has been investigated on the basis of samples involving some subjects of contemporary life through socio-politic and critical approaches such as time-space-border lines, body-identity, geography, ecologic equilibrium, democracy, gender, other, tradition and contemporary.
Together with 1960’s, changing socio-economic and cultural media changed all conceptions and applications regarding art within the representation frame. Textile art, generally represented under the title of traditional art and craft, oriented to new transport facilities of material and technique unlike from its traditional functions. In this research, changes in representative quality of textile after 60, and textile sculptures after 80 have been discussed. 1960’s are the years of re-discovering and reconceptualizing distinctive structural properties of textile. 1980’s are the years of textile art standing-up by passing the boundaries of its existence, by attaching to the contemporary art as sculpture, by orienting to some of its interest areas as going beyond the dimensions of its material and techniques. That’s why in this research representation mentality of textile sculptures in contemporary art has been investigated on the basis of samples involving some subjects of contemporary life through socio-politic and critical approaches such as time-space-border lines, body-identity, geography, ecologic equilibrium, democracy, gender, other, tradition and contemporary.
Açıklama
Anahtar Kelimeler
Kaynak
Art-e Sanat Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
13
Sayı
25
