Gustav Klimt’in resimlerinin sembolik anlamı
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Dosyalar
Tarih
2019
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Namık Kemal Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bir sanat eseri, onu oluşturan sanatçının yaşantısından izler taşır. Sanatçı yaşadığı tarihsel olayları, sosyal ortamı, toplumun kültür ve kendi inancını eserinde yansıtır. XIX yüzyılın sonunda ve XX yüzyılın başında gelişen buluşlar, tarihsel ve toplumsal gelişimler, sanatçılarda farklı arayışlara ufuk açıp yeni girişim yollarına sebep olmuştur. Sanayileşme, fotoğraf ve sinema makinelerinin icadı, Sigmund Freud’un psikanaliz üzerindeki yeni teorileri, savaşların ardından Avrupa’nın haritasının yeniden biçimlenmesi, uluslararası hızlı ulaşım ve haberleşme, Avrupa’da Japon estamplarının yayılması sonucu sanatçıların Uzak Doğu sanatına ilgi duymaları, köylerden şehre doğru göçler gibi gelişmeler, çeşitli sanat akımlarının çıkmasına neden olmuştur. Bunların arasından art nouveau’yu, diğer adı ile art and crafts’ı, Viyana secession’unu ve jugendstil’i sayabiliriz. Art nouveau akımının kuruculardan birisi ve önemli temsilcisi Avusturyalı Gustav Klimt’tir. Art nouveau akımı dekoratif sayılmaktadır. Bu yüzden Gustav Klimt’in resimlerinde dekoratif unsurlar bulunmaktadır. Bu unsurların çıkış noktaları ve sanatçının altın rengi kullanmasının temelindeki düşüncesinin kaynağı, Bizans mozaik sanatıdır. Sanatçı, XX yüzyılın başlarında İtalya’nın kuzeyinde bulunan Ravenna’yı ziyaret eder. Buradaki San Vitale Kilisesi’ndeki Bizans mozaiklerini görüp, daha sonra oluşturduğu eserlerinde bu gezinin etkilerini yansıtmaya başlar. “GUSTAV KLİMT’İN RESİMLERİNİN SEMBOLİK ANLAMI” adlı bu çalışma, Bizans mozaiklerinin Gustav Klimt’in sanatını hangi yönü ile etkilediği ve nasıl yansıdığı konusunda yapılan bir araştırmadır.
An artwork carries traces from the life of the artist who created it. The artist reflects the historical events he experienced, the social arena, society’s culture and his own belief into the artwork. The discoveries that happened in the late XIX. and early XX. century, and historical and social developments encouraged artists to set sail to different pursuits and find new initiatives. Advancements such as industrialization, invention of cameras and motion picture projectors, Sigmund Freud’s innovative theories on psychoanalysis, reshaping of the map of Europe after wars, fast international transportation and communication, artists’ growing interest in Far Eastern arts as a result of Japanese estamps getting widespread in Europe, and migration from rural to urban areas lead to the emergence of various art trends. Among these are Art Nouveau, i.e. Arts and Crafts, Venice Secession, and Jugendstil. One of the founders and pioneers of Art Nouveau trend is the Austrian artist Gustav Klimt. Art Nouveau trend is considered as decorative. Thus, there are decorative elements in Gustav Klimt’s paintings. The points of origin of these elements and the source of the artist’s idea of using gold color is the Byzantine mosaic art. The artist visits Ravenna in the north of Italy in the early XX century. After seeing the Byzantine mosaics in San Vitale Church, he then begins to reflect the effects of this journey in his works. This study titled as “The Effect of Byzantine Art Tradition on Gustav Klimt’s Paintings” investigates in what ways Byzantine mosaics effected Gustav Klimt’s art and how they are reflected in his artworks.
An artwork carries traces from the life of the artist who created it. The artist reflects the historical events he experienced, the social arena, society’s culture and his own belief into the artwork. The discoveries that happened in the late XIX. and early XX. century, and historical and social developments encouraged artists to set sail to different pursuits and find new initiatives. Advancements such as industrialization, invention of cameras and motion picture projectors, Sigmund Freud’s innovative theories on psychoanalysis, reshaping of the map of Europe after wars, fast international transportation and communication, artists’ growing interest in Far Eastern arts as a result of Japanese estamps getting widespread in Europe, and migration from rural to urban areas lead to the emergence of various art trends. Among these are Art Nouveau, i.e. Arts and Crafts, Venice Secession, and Jugendstil. One of the founders and pioneers of Art Nouveau trend is the Austrian artist Gustav Klimt. Art Nouveau trend is considered as decorative. Thus, there are decorative elements in Gustav Klimt’s paintings. The points of origin of these elements and the source of the artist’s idea of using gold color is the Byzantine mosaic art. The artist visits Ravenna in the north of Italy in the early XX century. After seeing the Byzantine mosaics in San Vitale Church, he then begins to reflect the effects of this journey in his works. This study titled as “The Effect of Byzantine Art Tradition on Gustav Klimt’s Paintings” investigates in what ways Byzantine mosaics effected Gustav Klimt’s art and how they are reflected in his artworks.
Açıklama
Anahtar Kelimeler
altın, art nouveau, Bizans, Klimt, mozaik, resim, Theodora, Art Nouveau, Byzantine, gold, Klimt, mosaic, Painting, Theodora
