Bulgaristan sinemasında öteki olarak Türklerin temsili
Küçük Resim Yok
Tarih
2024
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Tekirdağ Namık Kemal Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
1984-1989 yılları arasında Bulgaristan'dan Türkiye'ye yapılan göçler ve bu göçleri zorunlu hale getiren asimilasyon politikaları, Bulgaristan ve Türkiye'nin tarihsel ve sosyolojik gelişimini derinlemesine etkilemiştir. Bu çalışmada Bulgaristan sinemasında Türklerin öteki olarak temsilleri; karakterler, görsel planlar ve senaryo metni üzerinden çalışılmıştır. "Çalıntı Gözler" ve "Güller Ülkesi: Damescana" filmleri üzerinden Türk kimliğini, ötekilik kavramı çerçevesinde açıklanmış ve sinemanın tarihsel, toplumsal gerçekliğe ışık tutan rolü üzerinde durulmuştur. Bulgar yapımı filmlerde, Türk kimliği incelenerek Bulgarların kendi tarihlerinin önemli bir unsuru olan Türklere bakış açıları çözümlenmiştir. 1989 Yılı Bulgaristan Türkiye Göç sürecine kadar Türklerin toplumsal belleğinde yer eden travmaları işleyen filmler; Bulgar senarist, yönetmen ve oyuncuların ağırlıklı katkılarıyla çekilmiştir. Bu bağlamda Bulgaristan'ı hedef göstermeden iki ülke arasındaki uzlaşı zeminine vurgu yapan bir çalışma yapılmıştır. Anahtar Kelimeler: Ötekilik, Sinema ve Öteki, Kimlik, Bulgaristan Sineması
The migrations from Bulgaria to Turkey between 1984 and 1989 and the assimilation policies that made these migrations mandatory have Decently affected the historical and sociological development of Bulgaria and Turkey. Representations of Turkish people as others in Bulgarian cinema have been studied through characters, visual plans and script text. Through the films "Stolen Eyes" and "Damescana", the Turkish identity was explained within the framework of the concept of otherness and the role of cinema that sheds light on historical and social reality was emphasized. By examining the Turkish identity in Bulgarian-made films, Bulgarians' perspectives on Turkish people, which are an important element of their own history, have been analyzed. Films dealing with the traumas that took place in the social memory of Turkish people until the migration process from Bulgaria to Turkey in 1989 were made with the predominant contributions of Bulgarian screenwriters, directors and actors. In this context, a study has been conducted that emphasizes the deconfliction between the two countries without targeting Bulgaria. Keywords: Otherness, Cinema and the Others, Identity, Bulgarian Cinema
The migrations from Bulgaria to Turkey between 1984 and 1989 and the assimilation policies that made these migrations mandatory have Decently affected the historical and sociological development of Bulgaria and Turkey. Representations of Turkish people as others in Bulgarian cinema have been studied through characters, visual plans and script text. Through the films "Stolen Eyes" and "Damescana", the Turkish identity was explained within the framework of the concept of otherness and the role of cinema that sheds light on historical and social reality was emphasized. By examining the Turkish identity in Bulgarian-made films, Bulgarians' perspectives on Turkish people, which are an important element of their own history, have been analyzed. Films dealing with the traumas that took place in the social memory of Turkish people until the migration process from Bulgaria to Turkey in 1989 were made with the predominant contributions of Bulgarian screenwriters, directors and actors. In this context, a study has been conducted that emphasizes the deconfliction between the two countries without targeting Bulgaria. Keywords: Otherness, Cinema and the Others, Identity, Bulgarian Cinema
Açıklama
Sosyal Bilimler Enstitüsü, Balkan Araştırmaları Ana Bilim Dalı
Anahtar Kelimeler
Güzel Sanatlar, Fine Arts ; Sosyoloji
