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dc.contributor.authorGolban, Tatiana
dc.date.accessioned2022-05-11T14:29:39Z
dc.date.available2022-05-11T14:29:39Z
dc.date.issued2015
dc.identifier.issn1224-1768
dc.identifier.urihttps://hdl.handle.net/20.500.11776/7084
dc.description.abstractThe aim of this study is to draw attention to the myth of apocalypse, which has grown in popularity in the literature at the turn of the millennium. Louis de Bernières in his novel Birds Without Wings also illustrates this myth on the general and individual levels of existence. In this work, we have tried to connect the Kierkegaardian stages of man, aesthetic, ethical, and theological, to Louis de Bernières' character Rustem Bey in order to reveal the preoccupation of an individual for defining himself as an integral Self in relation to others and to God. This personal experience is of essential importance, as the character prepares himself to investigate the reason and the meaning of the world and his existence in the face of apocalypse.en_US
dc.language.isoengen_US
dc.publisherOvidius Universityen_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.subjectApocalypse mythen_US
dc.subjectKierkegaarden_US
dc.subjectLouis de Bernièresen_US
dc.subjectSelfen_US
dc.subjectStages of manen_US
dc.titleThe apocalypse myth in Louis de Bernières' novel Birds Without Wings: Rustem Bey and an individual apocalyptic experience in the kierkegaardian frameen_US
dc.typereviewen_US
dc.relation.ispartofAnalele Universitatii Ovidius Constanta, Seria Filologieen_US
dc.departmentFakülteler, Fen Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümüen_US
dc.identifier.volume26en_US
dc.identifier.issue1en_US
dc.identifier.startpage44en_US
dc.identifier.endpage52en_US
dc.institutionauthorGolban, Tatiana
dc.relation.publicationcategoryDiğeren_US
dc.authorscopusid56414818000
dc.identifier.scopus2-s2.0-84969942258en_US


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