What Is Aggro? Situationist Aesthetics in the Plays of Howard Brenton

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dc.contributor.authorBay, Sedat
dc.contributor.authorKaragoz, Cengiz
dc.date.accessioned2024-10-29T17:59:52Z
dc.date.available2024-10-29T17:59:52Z
dc.date.issued2024
dc.departmentTekirdağ Namık Kemal Üniversitesi
dc.description.abstractGuy Debord's Situationist theory, developed in the 1950s, analyzed how consumable goods increasingly express and mediate social relations in capitalism. Debord supported the understanding that art should no longer be privileged and asserted that it should be included in a single unified revolutionary practice. British playwright Howard Brenton is among the playwrights who were most affected by the Situationist movement. Brenton is known to have had sympathy for (or been sympathetic to) French Situationist political thought, especially in his early works. This study focuses on Brenton's plays Magnificence (1973) and Sore Throats (1979), examining the resonance of Situationist political theory in shaping Brenton's creative output while also considering the incorporation of the aggro effect in his narratives.
dc.identifier.doi10.7560/TSLL66103
dc.identifier.issn0040-4691
dc.identifier.issn1534-7303
dc.identifier.issue1en_US
dc.identifier.urihttps://doi.org/10.7560/TSLL66103
dc.identifier.urihttps://hdl.handle.net/20.500.11776/14861
dc.identifier.volume66
dc.identifier.wosWOS:001232647500003
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isoen
dc.publisherUniv Texas Press
dc.relation.ispartofTexas Studies in Literature and Language
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.subjectHoward Brenton
dc.subjectGuy Debord
dc.subjectSituationists
dc.subjectd & eacute;tournement
dc.subjectaggro effect
dc.titleWhat Is Aggro? Situationist Aesthetics in the Plays of Howard Brenton
dc.typeArticle

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