Yazar "Kaya, Hilal" seçeneğine göre listele

Listeleniyor 1 - 2 / 2
  • Küçük Resim
    Öğe
    AN INTERTEXTUAL APPROACH TO CERVANTES’ DON QUIXOTE AND FIELDING’S JOSEPH ANDREWS
    (Namık Kemal Üniversitesi, 2019) Kaya, Hilal
    Cervantes’ novel Don Quixote (1605) has been an inspiration for the works of many artists, and Henry Fielding himself on the title page of his novel accepts that Joseph Andrews (1742) was written in imitation of the manner of Cervantes, the author of Don Quixote. Moving from this point, the ideas developed in this paper are an attempt to study the thematic and formal similarities between Don Quixote and Joseph Andrews with an intertextual approach. In this respect, this article explores such literary elements as satire, parody, picaresque novel, and the Quixotic character employed both in Don Quixote and Joseph Andrews comparatively and this study, hence, argues that reading Joseph Andrews through Don Quixote and a comparison between them will provide the reader with a possibility of new insights about the text.
  • Küçük Resim Yok
    Öğe
    THE CAR AS A THING: LATİFE TEKİN’S SWORDS OF ICE AND JOSÉ SARAMAGO’S “EMBARGO”
    (2021) Kaya, Hilal
    From a transnational and trans-historical perspective, this paper lays stress upon thecar as a technological material and its fictional representations in Latife Tekin’sSwords of Ice (1989) and José Saramago’s “Embargo” (1978). Readers from differentcultures have been attracted to car narratives because they are “thing-driven” – basedon cars – as a representative of the matter which can speak for themselves, as it were.This study claims that the significance of the car in Tekin’s Swords of Ice andSaramago’s “Embargo” can be explained through the theoretical lens provided by thenew materialisms. In order to explore ideas on the subject-object interactions andelucidate the independent and autonomous life of things, this article will first brieflyrefer to the theories of new materialisms, and then read works of fiction by LatifeTekin, and José Saramago concentrating on the agency and power of the car as aquasi-object in both texts.